Review: Brené Brown, (2021). Atlas of the Heart: Mapping Meaningful Connection and the Language of Human Experience. New York: Random House, pp. 304.
This is three books in one. It is a psychology “how to” book filled with tips and techniques about how to identify and name emotions, feelings, affects, and their triggers and consequences. This inquiry is engaged in order to build connections and community. It works. People who are able to name their emotions and feeling experience expanded power in getting what they want and need from other people. They also get expanded power in contributing to building meaningful connections and community.
Second, the Atlas is a research report on what might be described as “crowd sourcing” (my term, not Brown’s) what emotions were important to some 66,625 persons in Brené Brown’s massive online classes in 2013/14.
Comments and narratives were solicited from the participants. This input was anonymized, color coded, aggregated, filtered, subjected to expert selection as to which emotions and emotion-related experiences were significant in promoting “healing.” The terms were then defined using 1500 academic publications. What falls out of this complex and interesting, though not entirely transparent process, are emotions, emotional triggers, emotional consequences, experiences, lots of experiences, and, well – an atlas of the heart. Readers are all the richer for it.
Finally, Atlas is an art book. The text on high quality paper is interspersed with color photos, cartoons, and enlarged quotations of key phrases such as one would find on social media. Take a tip or technique and using large and colorful type, put it on a page by itself: “I’m here to get it right, not to be right [p. 247. Note: there is no close quote. Is that a typo or poetic license?]
I especially liked the photos of Brown’s hand written journal (or college essay?), saying “throughout our lives we must experience emotions and feelings that are inevitably painful and devastating” (October 9, 1984). Early on, Brené showed promise, and she movingly shares her struggles and what she had to survive in her family of origin. The photo of the dog with the guilty, “hang dog” expression, next to the torn up upholstered chair was genuinely funny. Never let it be said that dogs don’t experience emotions! The artistic aspects will be deemphasized in this review, but the book definitely has possibilities for placement on the “coffee table” to invite browsing and conversation prompts.
The book succeeds in all three of its aspirations, though to different degrees.
At this point, an analogy may be useful. People are not born knowing the names of colors. Children applying to start kindergarten are quizzed on such basics as the names of the letters (ABCs), their address and phone number, and the names of the colors. The spectrum from red through orange, yellow, green, blue, to violet is indeed a marvelous thing. But no one assumes anyone knows what these distinctions are called without guidance. Why then is it that children (and of all ages) are assumed to know the difference between basic emotions fear, anger, sadness, high spirits, much less more subtle nuanced feelings such as envy, jealousy, resentment, shame, guilt, and so on?
This is the first challenge that Brené Brown addresses with her book. She provides a guide, an atlas of the heart, to people struggling to identify the emotions and emotion-ladened experiences they are feeling, sensing, or trying to express. Even though Sesame Street, Mister Rogers, and Mary Gordon’s Roots of Empathy, have taken decisive steps to put this aspect of emotional intelligence – x identifying and naming the emotions – on the school curriculum map, large numbers of people of all ages struggle with the basics. What is this feeling that I am feeling? What is this emotion, if it is an emotion, that I am experiencing?
Brown begins with a nod to the innovative body of work on the emotions by Paul Ekman (e.g., Emotions Revealed. New York: Owl (Henry Holt), 2003). Ekman put facial micro-expression on the map as the key to emotions with a seven year plus study resulting in his Facial Action Coding Scheme. According to Ekman, a relatively small set of some seven basic emotions are universal, evolutionarily based, and part of a biological affective program that is “hardwired” into our mammalian biology. These basic emotions (sadness, anger, agony, surprise, fear, disgust, contempt, and maybe enjoyment) get elaborated and transformed in a thousand ways by social conventions, community standards and cultural pretenses.
The human face is an emotional “hot spot,” according to Ekman. The micro-expressions are the “tells” that disclose a person’s underlying feeling or attitude, regardless of the facial expression the person may be adopting for social display purposes. Thus, a person may smile to express agreement with his friends, but his eyes do not participate in the smile (also called a “Duchenne smile”) and something looks not quite sincere. More concerning, the would-be suicide bomber puts on a calm, happy face, but a micro-expression of contempt momentarily steals across his face, expressing his hatred for the system he is about to try to destroy. Notwithstanding Ruth Ley’s penetrating and trenchant critique of loose ends in Ekman’s approach (see Ley, The Ascent of Affect. Chicago: University of Chicago press, 2017), his approach remains today the dominate design in emotion research. Enter Brené Brown’s contribution.
For example, Brown’s first constellation of emotions engaged include “stress, overwhelm, anxiety, worry, avoidance, excitement, dread, fear, vulnerability” (p. 2). She quotes the American Psychological Association Definition of anxiety (so we know where that definition came from!): “an emotion characterized by feelings of tension, worried thoughts and physical changes like increase blood pressure” (p. 9).
Worry and avoidance, not exactly emotions as such, are ways of dealing with the painful aspects of anxiety. Excitement seems to be the physiological aspects of anxiety given a positive spin, valence, or trajectory. Add “negative event approaching” and “present danger” and you’ve got dread and fear. Stress and overwhelm are the again physiological aspects of anxiety, elaborated, for example, by having to be a waitress in a restaurant at its busiest (as was Brown while working her way through college). “Stressed is being in the weeds; overwhelm is being blown.”
For Brown, vulnerability is a key emotion, since it initially shows up as a weakness to hide, but has the potential, when approached with a willingness to embrace risk, to be transformed into courage, accomplishment, and what people really want from inspirational speakers – inspiration. Never was it truer, our weaknesses are our strengths. Dialectically speaking.
At this point, I am inspired by Brown’s contribution, and will not split hairs over what is an emotion and what an emotional fellow traveler. Vulnerability is the perception and related belief, thought, or cognition, whether accurate or not, that the person is able to be hurt whether physically or in social status. Keep your friends close but your enemies, including your near enemies such as flatterers and people who ask you to lend them money, closer?
This is a good place to point out that if you really want to “get” the emotions, you may usefully engage with Brown. Definitely. But do not overlook Paul Griffiths, What Emotions Really Are (Chicago: University of Chicago Press, 1997). Emotions may not even be a natural kind. A mammal (for example) is a natural kind, emotions arguably are not. Emotions are a “kludge” cobbled together by the scientific community from an evolutionary affective program, moral sentiments such as righteous indignation in the face of social injustice (a strategic, energetic, passionate reaction to enforce the social convention of promising among distrustful neighbor), and social pretence such as romantic love.
In a famous one line statement in Martin Heidegger’s magnum opus, Being and Time (1927: H139), he says that the study of the moods, affects, and emotions has not made a single advance since Book II of Aristotle’s Rhetoric (347? BCE). He then proposes that anxiety is the way the world is globally disclosed as a limited finite whole. It is tempting for purposes of being collegial to write, “Finally an advance on Aristotle, Brené!” but she would surely be the first to acknowledge that would indeed be a high bar. Suffice to say, Brown’s contribution is significant and in many ways, impressive. Aristotle is still Aristotle. (See Agosta 2010 in the References.)
Since this is not a softball review, and in spite of saying a lot of interesting things about love, it is not defined in Brown’s book. I applaud Brown’s decision to leave the definition of love to the poets and artists, whether intentionally or by omission. Anyone who tries to define love is likely to end up with more arrows in the back than Cupid has in his quiver.
A definition would be something like Freud’s statement: Love is aim-inhibited sexuality. Or Aristophanes narrative that love is the search for one’s other half and the joining with that half if/when one finds it. Or Bob Dylan’s “love is just a four letter word.” No inhibition here; just hormones all the way down.
The research challenge present here is how to finesse the canonical interpretation of the data by her team of experts, assembled from her extensive network of colleagues, which data after all is highly survey-like yet without controls, randomization, or rigorous sampling dynamics. The outer boundary of the demographic respondents seems to be the 66K plus followers who signed up for her massive online courses.
Other features of the book that became wearing for this reviewer were the seemingly endless rhetoric of stipulation, how inspiring to her has been everyone else’s research from which she liberally borrows, always with a slew of well-crafted footnotes, and an epidemic of near enemies to authenticity and courage. This is perhaps inevitable when one has to give 87 definitions.
Still, the question invites inquiry: Where after all did the definitions of these 87 emotions and experiences really come from? I cannot figure it out. My best guess is “the team” made it up based on reading 1500 research articles and extensive input from the “lead investigator,” Brené Brown. To be sure, Brown is generous with her recognition and acknowledgements of a long list of thinkers, mentors, scholars, spiritual guides, and researchers. She really lays it on thick with how much she has learned from her friends and colleagues; and it indeed must be thrilling to have one’s name called out by a celebrity academic. I am green with envy – not one of the positive emotions – that I am unlikely to make the short list with my seven books on empathy, especially given this review.
Still, Brown’s contribution is a strikingly original synthesis of existing ideas. I have been known to say, “Research also includes talking to people.” Yet the risk is scientism. The air of scientific authority without the fallibility of human subjectivity and idiosyncrasy. It may not matter. The value lies in the tips and techniques that can be used to build community and connection. If it is scientism, then it is scientism at its best.
Once again, since this is not a softball review, I join the debate about one of the most troubling of emotions, anger. Brown properly raises the issue of whether anger is fundamental or derivative. Anger often seems to be a front for something else = x, such as shame, guilt, jealousy, humiliation (this list is long). In spite of the dramatic display of being angry, there is something inauthentic about anger. Anger is a burden to those who experience it, and this burden often gets discharged in maladaptive and self-defeating ways by acting out aggression and violence. Brown’s position is a masterpiece of studied ambiguity. I agree.
My take on this? If you want to see or make people angry, then hurt their feelings. If you see an angry person, ask: Who hurt the person’s feelings and/or did not give the person the respect, dignity, or empathy that the person deserves or to which the person feels entitled. You see here the problem? Entitlement, legitimate or otherwise.
This was Heinz Kohut’s point: When people don’t get the empathy they need and deserve, they fragment emotionally – and one of the fragments is narcissistic rage (extreme anger). From this perspective, empathy is not a mere psychological mechanism but the foundation of community, connection and intersubjectivity. Donna Hicks makes the same point in Dignity (New Haven and London: Yale University press, 2011). If you see anger in the form of conflict, substitute the word “dignity” for “empathy” – someone has experienced a dignity violation, a breakdown, a loss of dignity, which loss must be restored to have any hope of resolving the conflict (whether in Northern Ireland or the bedroom).
As regards empathy, Brown engages it along with compassion, pity, sympathy, boundaries, and comparative suffering. Like many psychologists, Brown regards empathy as a psychological mechanism not empathy as a way of being and the foundation of community. For the latter, the foundation of community, like a good Buddhist, she privileges compassion. Nothing wrong with that as such. Heavens knows, it is not an either-or choice – the world needs both expanded empathy and compassion.
Another point of debate. When Brown says that taking a walk in the other person’s shoes is a myth that must be given up, she is rather overthinking what is a folk saying. Key term: overthinking (occupational hazard of all thinkers and academics).
“Talking a walk in the other person’s shoes” is the folk definition of empathy. Consider the situation from the perspective of the other person, especially if that individual is your critic, opponent, or sworn enemy. Especially if the latter is the case.
This is folk wisdom and appreciating the point requires a folkish charity. Key term: charity. It is uncharitable to take a saying and read it in a way that willfully distorts or makes it sound implausible or stupid. Ordinary common sense is required. This is what Brown properly calls a “near enemy” – for example, the way “pity” is the “near enemy” of empathy – a way of dismissing it.
Therefore, when one says take a walk in the other’s shoes, this is not a conversation about shopping therapy or shopping for shoes. It is a conversation about taking the other person’s perspective with the other’s life circumstances in view in so far as one can grasp those circumstances. If one wants to unpack the metaphor, the idea is to get an idea where the other person’s shoe pinches or chafes. One might argue that the metaphor breaks down if one uses one’s own shoe size. It does. It breaks down into projection, which would be a misfiring or breakdown of empathy. In being empathic, I do not want to know where the shoe pinches me, but rather where it pinches the other individual.
And that is a useful misunderstanding – as noted, what Brown elsewhere calls a “near enemy.” Empathic interpretation breaks down, fails, goes astray as projection. If I do not take into account differences in character and circumstances, then one is at risk of attributing one’s own issue or problem or emotion to the other person. It may be that we have to dispense with the word itself. “Empathy” has become freighted with too much semantics and misunderstanding. That is okay – as long as we double down and preserve the distinction empathy as a way of being in community and authentic relatedness, what Brown elsewhere calls meaningful connectivity. Still, the word “empathy” has its uses, and if the reader substitutes “empathy” for “meaningful connection” the sense is well preserved in both directions. Okay, keep the word.
If you have seen Brené Brown’s Netflix presentation (The Call to Courage”), then you know this woman is funny. Not standup comedy funny, she is after all an academic who broke out of the ivory tower into organizational transformation and motivational speaking. She knows how to tell a good story, often in a funny self-depreciating way, that makes one laugh at one’s own idiosyncrasies. Like packing three books for a vacation with the kids at Disney World. Who is one kidding, once again, except perhaps oneself? This approiach does not translate as well into print as one might wish. No one is criticizing Brown for not being Dave Barry, but, unless you are familiar with her “in person” routine, much of the humor is lost in translation. The author is sooo compassionate, that by halfway through the work, I was actually starting to experience compassion fatigue.
However, notwithstanding Brown’s aspiration to rigorous science, and she does have a claim to “big data.” For me, this is not the most valuable part of her contribution. I have been known to say, “We don’t need more data, we need expanded empathy.” The good news is that Brown displays both in abundance. As noted, one could substitute the word “empathy” for her uses of “connection” and “meaningful connection,” the topics of her dissertation and research program, and not lose any of the impact, meaning, or value. Empathy is no rumor in Brené Brown. Empathy lives in Brené Brown’s contribution.
Lou Agosta. (2010). “Heidegger’s 1924 Clearing of the Affects Using Aristotle’s Rhetoric, Book II.” Philosophy Today, Vol. 54, No. 4 (Winter 2010): 333–345. [Download paper: https://philpapers.org/rec/AGOHC-2 ]
© Lou Agosta, PhD and the Chicago Empathy Project